TABLE OF CONTENTS
Foreword: DULAC’S ÉCRITS by Tami M. Williams
Preface 2018: GERMAINE DULAC, A MODERN FILMMAKER by Prosper Hillairet
Preface 1994: FOR AN UNBOUND CINEMA by Prosper Hillairet
1919 :
LET US HAVE FAITH
1921 :
AT D. W. GRIFFITH'S
1922 :
THE CREATION OF A CINEMATIC VOCABULARY
1923 :
G. DULAC INTERVIEW WITH P. DESCLAUX
1924 :
THE EXPRESSIVE PROCESS OF CINEMATOGRAPHY
HOW I BECAME A FILM "DIRECTOR"
IMAGES AND RHYTHMS
MOTION AS CREATOR OF ACTION
1925 :
CINEMA, AN ART OF SPIRITUAL NUANCE
THE TRUE SPIRIT OF THE SEVENTH ART
DEFENCE AND ATTACK OF CINEMA
ABOUT ÂME D'ARTISTE: MME GERMAINE DULAC'S IDEAS
APHORISMS
THE ESSENCE OF CINEMA - THE VISUAL IDEA
1926 :
EVERY FILM IS LINKED TO AN AESTHETIC
CONCESSIONS
DIFFICULTIES
SOME REFLECTIONS ON "PURE CINEMA"
FRENCH CINEMA AS SEEN BY MME GERMAINE DULAC
PHOTOGRAPHY – CINEMATOGRAPHY
1927 :
THE FUTURE OF CINEMA: AN INTERVIEW WITH GERMAINE DULAC
ON RUSSIAN FILMS
FROM A SENTIMENT TO A LINE
CONVERSATION
LET US UNITE
WITH MME GERMAINE DULAC
VISUALIZATION
ESTHETICS, OBSTACLES
1928 :
MUSIC OF SILENCE
THREE ENCOUNTERS WITH LOIE FULLER
RHYTHM AND TECHNIQUE
OUR INQUIRIES INTO "TALKING FILM"
VISUAL AND ANTI-VISUAL FILMS
TALKING FILM… COLOR FILM
SOME REFLECTIONS ON QUOTAS
ARE YOU AFRAID OF CINEMA?
1929 :
PROPORTIONS
PLAYING WITH NOISES
NOTES OF GERMAINE DULAC
1930 :
WHAT DO YOU THINK OF COLOR FILM?
THE PUBLIC'S RESPONSIBILITY
GERMAINE DULAC AND THE CINEMA TODAY
1931 :
THE NEW EVOLUTION
THE NECESSARY EVOLUTION
WITHIN ITS VISUAL FRAME CINEMA HAS NO LIMITS
THE SUCCESS OF A FILM?
OUR GOODWILL IS EXTENDED TO THE TRIUMPH OF AN IDEA
INDEPENDANCE
THE ACTION OF THE CINEMATIC AVANT-GARDE
THE MEANING OF CINEMA
1932 :
WHAT IS CINEMA?
AVANT-GARDE CINEMA
1933 :
FOR OR AGAINST FILM CENSORSHIP?
THE DIFFICULTIES OF CINEMATIC JOURNALISM
ON THE UTILITY OF FILM SCHOOLS
1934 :
NEWSREELS
NEWSREELS ARE NOT ALWAYS WHAT THEY SHOULD BE
THE SOCIAL AND EDUCATIONAL ADVANTAGE OF NEWSREELS
1936 :
THE NEW DRAMATIC ART OF COLOR
LET US UNITE
AN OPINION FROM GERMAINE DULAC
REFLECTIONS ON THE CINEMA NEWSREEL
1937 :
THE WORK OF CINEMA IS FINISHED WHEN THE SHOW BEGINS
INDEX
NOTES
BIOGRAPHIES
ACKNOWLEDGMENTS